Eddie Gordon is one of those "legends in
his own time" that we hear of only once in a great while. Born October 7, 1941,
he has done nothing but live, breathe, eat and sleep harmonica ever since.
This intense interest has driven Eddie to become so proficient on harmonica that
he has mastered them all to perfection. Just name a tune - any tune - and he will
play a chord solo: the entire piece, not just a passage. How about a Harmonetta -
ask him to play "Rhapsody in Blue", "Galloping Comedians", "September in the Rain",
Franz Liszt's "Hungarian Rhapsody No.2", or anything else that comes to mind. You
will not stump him - "Never on Sunday", "The Continental", Count Basie's "Cute", or
Neal Hefti's "Li'l Darlin'" as chord solos! "Peg O' My Heart"? - Eddie plays a less
flashy chord solo, but more musically correct - true to the melody line with proper
voicing of the chords.
Fluent on chromatic and diatonic harmonicas, Eddie is also master of the Millioniser 2000,
the electronic midi harmonica synthesizer invented and marketed by Walter Miller of Switzerland.
In fact, Mr. Miller employed Eddie to demo the Millioniser 2000 at various conventions and shows,
including the music industry's largest trade show, the Musik Messe in Frankfurt, Germany. To
play this instrument properly requires a knowledge of phrasing that is unique to the various
synthesized instruments - whether the bowed strings of the violin, the breathing technique of
the brass and woodwinds, the glissandos that are also unique to the variety of instruments,
or the many percussion instruments available.
A very creative musician, incorporating vocal effects as he plays, he will cause you to
laugh with excitement and approval as you listen. While playing chord harmonica, lacking a
bass player, Eddie will simultaneously sing the bass patterns, whether he is exhaling or
inhaling on the chord instrument!
As a diatonic artist, don't miss his renditions of Whammer Jammer or Orange Blossom
Special, just to name a couple.
Of his years with Johnny Puleo's Harmonica Gang, he says, "I had many friends among the
players. They took the place of my father - I really had many fathers: people like Carl Ford,
Jo Jo DeFulvio, Hal Harmon and Dave Doucette, but most of all, Johnny. They made sure I
rested properly and ate properly. Hal Harmon took a special liking to me when I was with
the Gang and when the act didn't work out, he took me on and we worked out as a duo.
We billed ourselves as the Harmonica Masters and traveled around in an old jalopy . When
that broke down we went by bus. I remember doing a show for SPAH 'way back in 1965'.
I was quite surprised that there even was an organization doing service toward the harmonica."

L-R: Dave Doucette, Eddie Gordon, Frank Marquis, Johnny Puleo, Dom Sgro
Tropicana Hotel - Las Vegas, Nevada - 1960

Tony Sgro, Dom Sgro, Eddie Gordon, Frank Marquis
Johnny Puleo, Dave Doucette
In 1968 he joined a quintet formed by Dave Doucette in Las Vegas, called the Stereomonics.
Eddie, an outstanding musician at home on all harmonicas, was cited by Doucette as the "finest
chord player ever", while Al Fiore, chord harmonicist supreme of the famed Harmonicats, named
Eddie as his "favorite chord player". Pete Pedersen once said that if he ever decided to put
another act together, Eddie would be his first choice for chord harmonica.
In 1972 Eddie formed a duo with Jimmy Thomas, a young and talented guitarist, and spent
many years playing the casinos and clubs of Las Vegas, Reno and Tahoe, and also several years
in Anchorage, Alaska as well as Los Angeles, California. Known as Love's Way, they recorded
an excellent LP album titled "Alive In Alaska". SPAH was privileged to present Love's Way as
special guest artists at the 1985 SPAH Convention in Detroit. Unfortunately, Eddie lost Jimmy
to a heart attack in 1987.
Other albums Eddie has played on include the last
four of the eight Audio Fidelity stereo demo albums recorded by Johnny Puleo's Harmonica Gang in
the early 1960's. The pioneer in stereo LP albums, Audio Fidelity chose the Johnny Puleo Harmonica
Gang as its artists for one of the first stereo LP's ever recorded - the very first being just a few
months previously, by the Dukes of Dixieland, in November 1957!
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